A Star Is Born 1976 Movie Free Download 720p BluRay
Movie Info
Full Name: A Star Is Born 1976 Movie Free Download 720p BluRay
Size: 1.7 GB
Quality: 720p BluRay
Genres: Drama, Music, Romance
Release Date: 17 December
1976
Language: English
Cast: Barbra Streisand, Kris Kristofferson, Gary Busey
A Star Is Born 1976 Movie Free Download 720p BluRay A has-been demigod becomes hopelessly enamored with a youthful, best in class songstress.
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Synopsis
A Star Is Born 1976 Movie Free Download 720p BluRay Talented hero John Norman Howard has seen his vocation start to decay. An excessive number of long stretches of shows and supervisors and life out and about have made him skeptical and the dreariness has incurred significant damage. At that point he meets the honest, unadulterated and extremely gifted vocalist Esther Hoffman. As one of his melodies in the motion picture says “I’m going to take you young lady, I’m going to demonstrate to you how.” And he does. He indicates Esther the best approach to fame while neglecting his own profession. As they experience passionate feelings for, her prosperity just makes his decrease considerably more apparent.My mother took me to see this motion picture when it turned out around Christmas of 1976. I adored it at that point and I cherish it now. I realize everybody ridicules Barbra’s hair in this one, however I think she looks and sounds incredible! …What’s more, I appear to recall various ladies who duplicated that permed take a gander at the time! Likewise, the bath scene among Streisand and Kristoferson is simply so attractive! The music is extraordinary too. Thirty years after its underlying discharge, the third form of “A Star Is Born” at last comes to DVD in a bundle that ought to satisfy the most dedicated aficionados of Barbra Streisand. That would incorporate me since I just observed her in show singing among different numbers, the women’s activist hymn “Lady in the Moon” from this 1976 film. Simple to expel, the motion picture’s profession polarizing story is such a durable heap of Hollywood-style adages that varieties of it exist in different movies including Streisand’s own “Amusing Girl”. This time reset to the then-contemporary music scene, the timeworn plot pursues foolish demigod John Norman Howard on his profound plunge profession drop similarly as he meets club artist Esther Hoffman who is anticipating her huge break.
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Plot: Talented rock star John Norman Howard has seen his career begin to decline. Too many years of concerts and managers and life on the road have made him cynical and the monotony has taken its toll. Then he meets the innocent, pure and very talented singer Esther Hoffman. As one of his songs in the…
Runtime: n/A
Release Date: 17 Dec 1976
Starcast: Barbra Streisand, Kris Kristofferson, Gary Busey, Oliver Clark, Venetta Fields
Director(s): Frank Pierson
Genre: Drama, Music, Romance,
IMDb: //www.imdb.com/title/tt0075265/
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Review
The Ultimate Wallow for Barbra-philes...Watch Closely Now as the New DVD Has Solid Extras
Thirty years after its initial release, the third version of "A Star Is Born" finally comes to DVD in a package that should please the most devoted fans of Barbra Streisand. That would include me since I just saw her in concert singing among other numbers, the feminist anthem "Woman in the Moon" from this 1976 film. Easy to dismiss, the movie's career-polarizing story is such a sturdy pile of Hollywood-style clichés that variations of it exist in other films including Streisand's own "Funny Girl". This time reset to the then-contemporary music scene, the timeworn plot follows self-destructive rock star John Norman Howard on his deep-dive career descent just as he meets club singer Esther Hoffman who is awaiting her big break.
Troubles dog their courtship from the outset, as John Norman (both names please) responds to grasping fans and bloodless DJs with random acts of violence (from which he inexplicably escapes prosecution). To John Norman, Esther represents his last shot at happiness, and in turn, she is drawn to the innately decent, creative musician underneath the façade. In the movie's most pivotal scene, he gives Esther her big break at a benefit concert, and her career takes off. Inevitably, he can't handle the failure of his career in light of her meteoric success, and if you are familiar with any version of this story, you know the rest. Directed by Frank Pierson (although Streisand's budding directorial talents are obviously on display), the film still manages to draw me in, even though I know it is shamelessly contrived and manipulative. It still has a certain emotional resonance despite its numerous flaws.
Although Streisand in her prime seems like the ideal choice to play a rising singing star, her screen persona is simply too strong and predefined to play Esther credibly. The same can be said for her performing style since the script seems to make allowances for her softer Adult Contemporary-oriented material to be accepted within the otherwise hardened world of arena rock. From the moment she pops her head up as the middle of the Oreos, she can't help but come across as an established star. I can forgive the lapse simply because she is an unparalleled vocal talent, but what becomes less forgiving is how she makes Esther more strident than poignant when John Norman's woes become overwhelming. This creates an oddly discomfiting dynamic in the last part of the film when it becomes less about what caused the climactic event than Esther's response to it. This is capped off by an uninterrupted eight-minute close-up of her memorial performance - great except when she regrettably mimics John Norman's style toward the end.
Kristofferson, on the other hand, gives a superb performance throughout, managing a level of honesty that grounds the film and makes palpable his concurrent feelings of love, pride and resentment toward Esther. He makes his vodka-soaked onstage growling work within this context. Otherwise, what always strikes me as strange about this version is how all the supporting characters are relegated to the background as if they didn't exist unless they were interacting with the two principals. The only ones who register are Paul Mazursky as John Norman's level-headed manager Brian and Gary Busey as his cynical band manager Bobbie. Veteran cameraman Robert Surtees provides a nice burnish to the cinematography though a level of graininess persists in the print. A big seller in its day, the soundtrack is a hodgepodge of different styles from the 1970's - some songs still quite good ("Everything", "Woman in the Moon", "Watch Closely Now"), some that have moved to kitsch ("Queen Bee", Kenny Loggins' "I Believe in Love") and of course, the inescapable "Evergreen".
The print transfer on the 2006 DVD is clean and the sound gratefully crisp thanks to digital remastering. Streisand's participation is the chief lure of the extras beginning with her feature-length commentary. She gives insightful information about the genesis of the film, the casting and the reportedly troubled production. She is also refreshingly candid about the megalomania of Jon Peters, her hairdresser boyfriend who became the movie's producer, and her dissatisfaction with Pierson as a director. I just wish she could have provided more scene-specific comments that directly relate to what is on screen. She also tends to repeat the same anecdotes when the mood strikes her, e.g., it gets tiring to hear for the third time how the person playing the chauffeur was a friend of Peters. I think having a second commentator could have drawn out other nuggets from her.
There is a wardrobe test reel that shows some amusing 1970's clothes, especially Kristofferson's mixed-fabric poncho and orange polyester shirt. There are also twelve deleted scenes included with Streisand's optional commentary. One is a comic bread-baking scene which reminded me how much I like Streisand in farcical comedies. Another is an extended scene in which she plays "Evergreen" on the guitar in front of an awestruck Kristofferson who then falls asleep. The most interesting is an alternate take on the musical finale incorporating fast cuts, which I agree with Streisand should have been used. Fittingly, the theatrical trailers for all three versions of "A Star Is Born" are also included.
- EUyeshima
- Nov 29, 2006
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