Empty Chairs at Empty Tables vocal range

Am0
0    There's a grief that can't be spoken.
                           C1
1There's a pain goes on and on.
                      Dm2
2Empty chairs at empty tables
         E3                  Am4
3Now my friends are dead and gone.
4
5
Am5
6    Here they talked of revolution.
                          C6
7Here it was they lit the flame.
                        Dm7
8Here they sang about `tomorrow'
       E8            Am9
9And tomorrow never came.
10
11
          C10    C711      F12
12From the table in the corner
           Cm713     F714     A#15
13They could see a world reborn
          G16                C17
14And they rose with voices ringing
       A#18        A19
15I can hear them now!
          Dm20         Dm721      A#22
16The very words that they had sung
   Gm23                G724
17Became their last communion
F25                       C626      Am27
18    On the lonely barricade at dawn.
19
20
Am28
21    Oh my friends, my friends forgive me
                         C29
22That I live and you are gone.
                               Dm30
23There's a grief that can't be spoken.
           E31               C#m32
24There's a pain goes on and on.
25
26
C#m33
27    Phantom faces at the window.
                        E34
28Phantom shadows on the floor.
                       F#m35
29Empty chairs at empty tables
           G#36                  C#m37
30Where my friends will meet no more.
31
32
C#m38
33    Oh my friends, my friends, don't ask me
                         E39
34What your sacrifice was for
                      F#m40
35Empty chairs at empty tables
           G#41                 C#m42       C#m743       C#m644       C#m45
36Where my friends will sing no more.

I'm not really getting what you're asking. He sings some of the higher notes, particularly in the louder parts, with his full chest, some of them, particularly the really soft part in the beginning, in something like falsetto (although I think that's still mixed voice to some degree), and a much more obvious mixed voice in other parts.

Long story short: you have to do stuff with your voice.

If you find that your selected key is not suitable for you, you can simply order another key later free of charge (where available).

Format: As original London cast recording

Notes: One of the most well-known ballads from Les Miserables this follows the tempo of the original London cast recording (Michael Ball).

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